My books were advanced much in August but they are still a significant way off, and I do not want to spread myself too thin. Therefore my publishing on the website and social media will need to be light out of necessity if I am to finish the books on my planned schedule. You won’t be hearing much from me in the months ahead, but I am still working out of view.
The book series is called Kalen O’Tolán and is currently slated for release in three volumes plus appendices beginning in 2015. The publisher is not yet determined, and I am considering publishing the entire series in total online at www.kalenotolan.com (though I haven’t decided).
These are the working titles of the first four books:
Kalen O’Tolán: A Canon of Supreme Mystery
The Season of Yang: Rise of the Great Oracle (Kalen O’Tolán, Vol. I)
The Season of Yin: Fall to the Fathomless Ocean (Kalen O’Tolán, Vol. II)
The Season of You: Return to the Beckoning Stars (Kalen O’Tolán, Vol. III)
Appendix I: Lingua-U, A Unification of the World’s Wisdom of Sacred Word Traditions
The books do not fit neatly into a conventional genre but are partially inspired by the poetry of the ancient Chinese classic T’ai Hsuan Ching (The Canon of Supreme Mystery). These are poetic works, but they are also philosophical and divinatory books. They are sacred literature which aspires to provide a sort of guided tour of consciousness from the Symbiotic Station through the Unitive Station, step by step, in individual and collective dimensions.
There is a definite psychology in the books as well as philosophy, one which is Idealistic but not based on any extant school of thought. It is not empirically derived from research into human subjects. It is inductively derived from the structure of phonemes as they are arranged in Lingua-U. The book does not present a map of consciousness by means of which mental phenomena are interpreted; it provides a literary canon which articulates a complex cosmology in which the features of consciousness are induced.
The fact that this feat is even possible is nothing short of miraculous, in my view. Many spirituality books and poetry books are published every year. But how many aspire to use language in such a way that every phoneme is meant to mirror a comprehensive cosmology at the level of sound symbolism? One really must look back centuries, I think, to find comparable efforts. This is not to say that my books will succeed at achieving this sort of inspiration, but I am doing my best.